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  1. Manual Le effemeridi (Italian Edition)
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  3. effemeridi - Wiktionary
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  5. Read PDF Le effemeridi (Italian Edition)

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Manual Le effemeridi (Italian Edition)

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Baldini and S. The moment in which interest in the cultivation of olive trees reached its height can be traced back to , the year in which the Accademia dei Georgofili was founded in Florence.


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  6. Numerous handwritten memoirs and manuscripts concerning the olive tree have been kept in their archives or published in the academy's periodical. It was the very same Accademia dei Georgofili to publicly announce a competition on August 29th, to determine the best "creation of one or more olive nurseries with at least trees". The prize was given to Pietro Fanechi, a worker at the Tolomei farm in Scarperia, a small town in the area of Mugello.

    effemeridi - Wiktionary

    Outside of the confines of Tuscany, an important work to mention is the book published by Giovanni Presta at the royal press of Naples, the result of ten years of research. Naples: Stamperia Reale, Returning to the manuscript at hand the spine of the binding reads 'Dell'Ulivi e dell'Olio, Agricoltura. Cte Luigi' and a fragment of a letter addressed to Count Luigi Fantoni is found on the verso of the front cover and seems to confirm the true identity of the author as that of Count Luigi Fantoni. It is likely that the manuscript was ab antiquo a sort of rough draft on which Fantoni marked his observations and added information regarding each species after it had been analyzed.

    Of note is the presence of three different headings on the first sheet of the manuscript, almost as if Fantoni had modified the parameters of his research in the course of his work and was thus compelled to change the title, which would also explain why the first title is crossed out. Nonetheless, the wording that most accurately describes the contents of the volume is certainly that of the third title see English translation above.

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    This last title states that the text analyzes the olive trees in the same geographic zones as those mentioned in the second title, with the exception of Modena, which is mentioned only in the second title. There is, however, a considerable difference between these last two titles. In the third title Fantoni sets out to describe the cultivar able to "produce fine oil", but above all to analyze the species that have already been identified by ancient authors, such as Pliny, Theophrastus, Columella and Vergil to whom Fantoni makes frequent reference. Almost all the drawings take up the entire surface area of each sheet.

    All of the illustrations, in pen and ink or occasionally first sketched in pencil and then passed over with ink, are accompanied by captions written in ink. Dates mentioned in the manuscript range from Within the manuscript there are also a few watercolor and grey wash plates that denote a greater morphological precision in the representation of the specimens.

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    In most cases the plates represent a life-sized olive branch with leaves and fruit. Even if they are drawn schematically with an almost non-existent shadowing, these drawings, with the elegant execution of the branches, the arrangement of the leaves and the meticulous portrayal of the various morphologies of the olives, remain to this day a predominately accurate guide to the identification of the specimen represented. The manuscript is brought to a close with a series of 14 watercolor or grey wash plates that depict with extraordinary precision some of the parasitic insects that attack the olive tree.

    The elegant framing of the various drawings, not to mention the scrupulous calligraphy, are most probably by another hand. In the manuscript the olive trees considered appear to be ordered mostly according to their place of origin. With the exception of a tree grown in a private garden, or more precisely "in the courtyard of Casa Cicci in Pisa", the olive trees represented all come from rural areas.

    Of particular importance are the few areas near Pisa famous for their olive oil production: Agnano, Asciano and Calci, all places in which the Fantoni family had agricultural holdings. The remaining drawings represent trees examined in the countryside of the provinces of Lucca, Massa and Carrara.